sábado, 13 de abril de 2013

Her Vanished Grace - Interview‏

Her Vanished Grace is a New York-based band comprised of Charlie and Nancy Nieland, along with Maria Theodosiadou and Billy Loose. Charlie and Nancy are married, but the seed that would blossom into what today is known as Her Vanished Grace (HVG) began one day in 1986 with a chance meeting at the Metropolitan Museum of Art in New York City. While Charlie has apparently written songs for Debbie Harry and both Charlie and Nancy have written music for various soundtracks and collaborated with Danny Lackey of Deepfieldview, HVG is their main stint, so to speak.

Her Vanished Grace es una banda originaria de Nueva York compuesta por Charlie y Nielando junto a Maria Theodosiadou y Billy Losse. Charlie y Nancy estan casados, pero la semilla de lo que hoy florece como Her Vanished Grace (HGV) comienza un de de 1986 cuando se conocen por casualidad en el Museo Metropolitano de Arte de Nueva York. Aunque Charlie ha escrito musica para Debbie Harry and ambos Charlie y Nancy han escritos música para diferentes bandas sonoras, ademas de colaborar con Danny Lackey de Deepfieldview, HVG es su principal proyecto.

While the band lineup has changed over the years, Charlie and Nancy have remained HVG’s steadfast pillar. The result: they have finally arrived at a formula for aural gold in Her Vanished Grace. In the past 9 years, this epic group has released a whopping 7 studio albums - Paradise (2004), Get Up (2005), Satellites (2006), Twilight (2007), Blue (2009), See The Moon (2011), and Star-Crossed (2012).

Aunque la alieacion de la banda ha ido cambiando durante los años, Charlie y Nancy  permanecen como el unico pilar de HVG. El resultado:  parecen haber encontrado la formula para el oro aural. Durante los ultimos nueve años, este épico grupo ha lanzado 7 albums de estudio: Paradise (2004), Get Up (2005), Satellites (2006), Twilight (2007), Blue (2009), See The Moon (2011), and Star-Crossed (2012).


Having garnered what is clearly positive press coverage over the years, their most recent LP has received accolades within the blogosphere from Europe to the South and North Americas. We can easily agree with The Sound of Confusion’s assessment that “Her Vanished Grace most definitely come with enough of a seismic sonic assault to stop you dead in your tracks”. This power dreampop, poprock, ethereal and shoegaze kaleidoscope delivers a Technicolor sound that is not to be missed. Their videos are just as captivating as their songs, making for a potent cocktail. It is perhaps everything mentioned above that has, more recently, contributed to their involvement in the Hush Delirium project.
Prescribed for: Dreamers, gazers, anyone wanting to restore their faith in quality music and genuine musicianship

Habiendo logrado muy buenas crticias de la prensa durante ese tiempo, su mas reciente LP  ha tenido una buena recepcion por la blogosfera desde Europa a Sud- América. Facilmente podemos corroborar lo dicho por la web The Sound of Confusion: " Her Vanished Grace tiene definitavemente suficiente fuerza sonica-sismica para detener tu muerte con sus canciones". Este   poderoso kaleidoscopio de  dremapop, poprock, ehereal shoegaze libera un sonido multicolor que no se pueden perder. Sus videos son igual de cautivantes que sus canciones, conjurando un potenten coctel. Falta mencionar que una de sus ultimas contribuciones ha sido para el proyecto Hush Delirirum.

Dosage: As often as you can handle, as loud as you want.
For fans of: Cocteau Twins, U2, Curve, House of Love, Snow in Mexico, Sea Dweller, Ummagma, Jellybelly, Stargazer Lilies, Ask for Joy, Panda Riot, Lightfoils, Highspire, Dead Leaf Echo


 


- How did you come to create music?


Our music grew out of our friendship and then our marriage. We loved the same Cure, Cocteau Twins and Love and Rockets records and we started making music inspired by those and lots of other stuff. Eventually we met Maria then Billy and they've been our friends and band mates for over a decade. Her Vanished Grace has explored lots of different styles which makes it hard to categorize what we do. We call it power dream pop.

- Can you talk about your previous releases or projects?

Well we have a lot of previous projects and you can check them all out at our Bandcamp page:http://hervanishedgrace.bandcamp.com/
We like them all but we especially love our most recent albums BLUE (2009), SEE THE MOON (2011) and STAR-CROSSED (2012). We've evolved a great method of working; we record together in the summer, we eat some Mexican food and we laugh and then we record a whole bunch of guitars and vocals and then we mix it for several months and then it's done.

- What are your influences, musical or otherwise?

We're influenced by beauty and nature; everything from art by Balthus and Klimt, the writing of Joseph Campbell and the Bronte sisters, the music, of My Bloody Valentine, Kate Bush and Interpol, our favorite movies like Donnie Darko and Mulholland Drive and million other things. 

- How would you describe your sound?

Urgent, swirly, sad and joyful with loud drums, stabby bass, lots of lush, abrasive guitars and luminous boy/girl vocals.

- What can you tell us about your songwriting process?

Some songs start in the rehearsal room with spontaneous moments and with a little writing get turned into songs. Others start as songs that Nancy and Charlie write and then Maria and Billy create their parts.



- What do you have to say about the state of music today?

It's good that the walls have come down for artists to be able to make their own high quality recordings now that the technology is so widely available. There are so many choices for listeners now though, it's more of a challenge for artists to get their music heard. Both the music making and marketing require creativity and open minded thinking.

- What's next for you as an artist?

After our last albums, which have been increasingly layered and dense with noise, the next project is based on acoustic guitar textures. It's called ICE AGE and we're working on it now. We've also contributed vocals, guitars and production to Danny Lackey's project Deepfieldview. We're also playing Her Vanished Grace shows and we'll be conjuring ideas for a future loud rock album.

- What recent music can you recommend?

Paul Banks new solo record BANKS
School of Seven Bells GHOSTORY
New Bowie song "Where Are We Now?"
Ummagma's albums ANTIGRAVITY and UMMAGMA


How important is it for artists to help each other?

This has been crucial throughout our experience. The alliances formed with other bands and artists have been a major factor in helping everyone's music get out there and helping the music itself evolve. Our NYC friends like Dead Leaf Echo, Stargazer Lilies, Oh Halo, Me You Us Them and Apollo Heights are always getting each other on their bills or showing up in support at the shows themselves. In the world of the internet, especially in the past year or two, we've found allies in so many bands like Drowner, A*Star, Ummagma, The Foreign Resort, Bloody Knives, Echodrone and lots more. We all help create buzz about each other and it's made a huge difference in how we all are able to reach more people with our music.

sábado, 12 de enero de 2013

Makeshivt Kity- An interview with Jordannah Elizabeth




Music Journalist, music promoter and musician, Jordannah Elizabeth is a person totally compromised with art and music in all the possible ways. In this opportuniy we have the pleasure  to share a few questions  about her work and her music as Makeshivt Kity, her solo musical project that will release a new album "Harvest Time" on march, and will have colaborations from members of The Flying Eyes, Scorpion Child, and The Vandelles.

Periodista musical, promotora musical y artista también  Jordannah Elizabeth es una persona totalmente comprometida con el arte y la música en todas las maneras posibles. En estas oportunidad tuvimos el gusto de compartir algunas preguntas acerca de su trabajo y su música como Makeshivt Kity, su proyecto musical solista que lanzara su nuevo álbum "Harvest Time" en marzo de este año, que contara con colaoraciones de miembros de The Flying Eyes, Scorpion Child, y The Vandelles

Makeshivt Kity music is a mix of all the different Jordannah musical influences put into songs where she express her fellings about  life. A deep voice melted among acoustic tunes and electronic sounds, creating an relaxing  atmosphere with some psychedelic details. Jordannah's voice is very expressive, this is the most important Makeshivt Kity instument. Her lyrics give us a view of her fellings, sometimes reminding Mazzy Star more acoustic songs. Makeshivt Kity music create enchanting melodies and delicated no conventional pop sounds.

La música de Makeshivt Kity es una mezcla de todas las influencias musicales de Jordannah puestas en canciones en las cuales expresa sus sentimientos hacia la vida. Una voz profunda  entre acordes acústicos y sonidos electrónicos  creando una atmósfera relajante adornada con algunos detalles de psicodelia. La voz de Jordannah es muy expresiva, este es el instrumento mas importante de Makeshivt Kity. Sus letras nos dan una ventana a sus sentimientos a veces recordando las canciones mas acústicas de Mazzy Star. Makeshivt Kity crea melodías encantadoras y delicadas canciones pop no convencionales.



- How did you come to create music?

Well, I always thought of myself as a writer, and I actually started out studying mass communications like television, radio, film and computer science. My father had a radio show when my brothers and I were young, and he was a popular preacher, so we were always around people and at events. He was on television every week because he went to a large church and sat on the pulpit. The services were broadcasted every Sunday.

Music? I guess I transitioned from writing stories, scripts and poems to writing songs. My mom bought me a guitar when I was 13 years old. It was a Christmas present. I taught myself to play it and wrote songs. It came naturally.

I ended up going to college and studying music after I found out the English program didn’t have enough students interested in literature, to allow me to major….

So music has always taken precedent in my life by default. I love it. I’m obsessed with it, but kind of more on an analytical level. Makeshivt Kity albums are birthed through concepts and stories, more than my feelings.


- Can you talk about your previous releases or projects?

Yeah, I named myself Makeshivt Kity at a bar in a small town in Colorado called Manitou Springs. I was 18, and I played the singer/songwriter night and the open mic night every week. Makeshivt Kity means, that I’m a girl who is just kind of self made, from all these little experiences and elements of life.

I recorded a couple of lofi albums of a Roland 4 track recorder in Denver that never came to light. They were lost albums called “Dagger of Love” and “I Will Kill You with My Dagger of Love”…which was a quote, and some type of sexy threat by my producer from Witchta, Kansas called Lowgun. He told me, “I will kill you with my dagger of love, I will kill you with my dagger of passion…”, and I was like “woah”…

My professional career stated with Makeshivt Kity’s “Los Angeles EP”. I recorded with this music genius savant, called Tall City in his attic in Colorado Springs, CO. I wrote it after living in Los Angeles, and drinking too much and getting burned out and dumped by a musician I was dating, and I recorded the album in 7 days. I moved back to L.A. after the album was done and ended up homeless. Nonetheless, warner bros. called me and were interested in this weird ass little lofi album I did. I did some label shopping, but decided to publish my albums on a small net label in Spain called Trastienda.org.

The Holy Implant LP was the next record. It was a follow up to the Los Angeles EP. My life had taken a terrible down turn between albums and The Holy Implant LP is very very dark. It’s about a woman who was slowly losing her mind. I was very influenced by The Warlocks then and the album reflects that a bit.

Love Forever was about a rock star ex boyfriend and our relationship, and how it ended.

                                   


- What are your influences, musical or otherwise?


Nina Simone, Betty Carter, The Warlocks, Brian Jonestown Massacre, Blondie, Apollo Heights, Bach, Mozart, John Coltrane, Jacob Hales…lofi tape music, anti folk, minimalism, psych rock, classical art songs and arias, men, lovers, musicians, artists, Los Angeles, Brooklyn, sex, time, love, compassion, spiritually, Christianity, God, Death, pain, lies, drama, passion, intrigue, karma…life.


- How would you describe your sound?

Depends on the album. But I guess I can sum it up as, psychedelic soul music.


- What can you tell us about your songwriting process?

Eh, it generally takes about two years to produce a new album. I have to live a while to write an MK album. I think, I feel and once I feel like I’ve learned enough or have a concept in mind, I slowly work towards creating songs. I write songs on an acoustic guitar. I usually collaborate with super weird off kilter producers, but this new album Harvest Time was done all by me on garage band. I didn’t enjoy recording the entire album on my own. I like working with people who think and create differently than I do.




- What do you have to say about the state of music today?

Music is art. Music is a creation. It always will be. Whether songs are written on a beat machine or are laced with auto tune, they come from a human soul and human hands. No one can take that away from us. So, I don’t worry about anything else.


- What's next for you as an artist?

Promo, travel and live shows.


- What recent music can you recommend?

Bands I’m literally following right now:
Smoke Bellow, The Water, Whoarfrost, The Flying Eyes, The Warlocks, Romantic States, Dead Meadow, Robson Gomes (Robsongs)…

Music I play constantly:
Dead Meadow and Betty Carter



sábado, 29 de septiembre de 2012

Everything Ukraine: New Single from Nameless featuring Ummagma

Musica Media is pleased to present a preview of the new joint single by the Ukrainian psych-rock band Nameless (UA, Ternopil) featuring Ummagma. The latter group released its two debut albums in mid-July, which we reviewed here and whose video we reviewed here, and the Canadian/Ukrainian duo has already been recording new material. While Nameless may be somewhat less known on the international music scene than in their native Ukraine, they are not a new group at all. In fact, Nameless is considered to be one of the ‘grandfathers’ of indie rock music in Ukraine, where both bands are currently living.


Es para MusicaMedia un gusto presentar este adelanto del split single de Ummagma junto a la banda de rock psicodelico Nameless( (UA, Ternopil). Ummagma  lanzo sus dos albums debut a mediados de julio, los cuales reseñanos hace un tiempo, igual que uno de sus videos. Namless aunque es relativamente nuevo en la escena internacional, llevan bastante como banda.De hecho Nameless es considerada como una de las bandas primigenias de la escena indie-rock en Ucrania, donde ambos proyectos residen ahora.




The song "Dandelions and Bees" was recorded and produced by Alexx Kretov (from Ummagma) in Ummagma’s own studio in Kremenets, western Ukraine. Sweetlana Forlove, the vocalist in Nameless, and Zoryan Bezkorovajny, the group’s founder and mastermind, explain that this is a song about an amazing vision, inspired by life in the city of Ternopil, where they currently live. The lyrics are based on the writings of Vasyl Makhno, a celebrated Ukrainian poet, who now lives in New York. 



La cancion "Dandelions and Bees" fue grabada y producida por Alexx Kretov ( de Ummagma) en el estudio de Ummagma en Kremenets al oeste de Ucrania. Sweetlana Forlove la vocalista de Nameless, y Zoryan Bezkorovajny el fundador del grupo y cerebro detras de la banda, explican que la cancion esta basada sobre una sorprendente vision inspirada por la vida en la ciudad de Ternopil, donde viven actualmente. La letra esta basada en los escritos de Vasyl Makhno un celebre poeta Ucraniano, que ahora reside en Nueva York.




As for Nameless, this neo-psychedelic (some say psych-folk) band was founded in 1992 and continues to be a celebrated veteran of the indie rock scene, with many groups of that era having disbanded long ago. Like Ummagma, the leaders of Nameless are also married, which could be one of the secrets to their long-standing success. This band’s repertoire is rooted in the aesthetics of the 1960s, and their original renditions feature a wonderful unique style “that breathes high and positive energy”, explains Mike Cormier, the head of the Davenport Collective, the Cleveland-based indie label that Nameless is signed to.

En cuanto a Nameless, esta banda neo-psicodelica ( o de folk-psicodelico podria decirse) fue fundada en 1992 y continuna siendo un gran referente de la escena indie rock, tomando en cuenta que muchos grupos de esa epoca se desunieron hace mucho. Igual que Ummagma los lideres de Nameless estan casados , lo que podria tomarse como uno de los secretos de su largo exito como banda. Su repertorio incluye  temas de los años 60's mientras que sus canciones originales tienen un maravilloso y único estilo  que respira grandes dosis de buena energia, explica Mike Cornier, el cerebro de Davenport Collective, el sello independiente con base en Cleveland del que Nameless hace parte.



Both Ummagma, which has been making music for 8 years, and their older siblings Nameless, who recently celebrated their 20th anniversary, are two indie bands that don’t follow the standard showbiz pattern and they are happy to follow their individual paths. So far, both groups have defied all such standards of mass culture.

Ummagma ha estado haciendo música durante 8 años, y sus hermanos mayores Nameless han celebrado recientemente su 20 aniversario, ambas bandas no se rigen por las reglas del negocio musical y están felices de seguir su propio camino, desafiando con su música el standar de la música comercial




So, despite geographic proximity, it is no surprise that these two bands have also teamed up musically. For those who have not yet encountered Ummagma’s music, their first two albums brought the world an epic soundscape mixture of dreampop, progressive rock, post-rock, post-punk, ethereal/ambient, and indie rock rarely seen since the early 4AD era. This latest release represents a welcome addition to the band’s repertoire as it takes them beyond their already-wide range of musical genres into what appears to be new and welcoming territory. As for Nameless, this song is a pleasant introduction to our listeners and we look forward to hearing more from this East European group

Tomando en cuenta la cercanía geográfica, no es una sorpresa que esta dos bandas se hayan juntado musicalmente. Para los que no han tenido la oportunidad de escuchar Ummagma, sus dos albums debut muestran una mezcla de dreampop, rock progresivo, post-rock. post-punk, ethereal/ambient, y Indie rock raramente visto desde las primeras bandas del sello 4AD. Este ultimo lanzamiento agrega al repertorio de la banda una nueva dimension a su ya amplio abanico de sonidos, llevandolos a un nuevo territorio. En cuanto a Nameless  es una buena manera de presentarlos a nuestros lectores y escuchas y esperamos pronto traerles mas novedades de esta banda del Este de Europa.


Credits:
Sweetlana Forlove - vocals, tambourine, keyboards 

Zoryan Bezkorovajny - guitar, vocals 


Alexx Kretov - guitar, drums, recording, producing

UMMAGMA FACEBOOK 
UMMAGMA BANDCAMP 

NAMELESS FACEBOOK 
DOWNLOAD AT DAVENPORT 
 

jueves, 13 de septiembre de 2012

Easy Listening By Black Market karma ( Flower Power Records)


Flower Power Records is a true independent record label, where, as stated by the founders, “We are free to make our own decisions, all based on music”. Obviously it's necessary to make money to keep a business alive and we feel the best way to do this is to always put bands and their music first. F.P.R was created by "Supersonic" Mark to give Black Market Karma the ability to make and release their music in the way that they want it to sound.

Flower Power Records is not a closed shop, as they have recently added Dead Rabbits to the label and are looking forward to working with more great bands. On the label’s Facebook page, fans have the opportunity to share their music, videos, art, events and news, not to mention connect with Flower Power Records and share the love

Black Market Karma is an England based band formed by Stan Belton, Mike Sutton, Sam Thompson Garido, Mat Salerno, Louisa Pili & Tom Parker. This year, besides touring extensively through Europe, they have released three albums. Their debut "Comatose" was released on January 1, 2012, "Cocoon" was released on June 29, 2012, and the most recent album "Easy Listening" represents the last ‘must listen’ production from this dynamic groundbreaking band.

Black Market Karma es una banda inglesa formada por Stan Belton, Mike Sutton, Sam Thompson Garido, Mat Salerno, Louisa Pili & Tom Parker. Este año ademas de tocar en distintas partes de Europa, han lanzando tres albums. Su debut " Comotase" salio el 1 de enero del 2012, "Cocoon" fue lanzado el 29 de Junio, y su mas reciente trabajo, " Easy Listening"  es la ultima producción de esta dinámica y potente banda.




A band releasing three albums in a year is not typically seen in this day and age, and certainly is unparalleled to the historical pattern for bands. It is even more outstanding when a band can make all three of these albums great ones, which is what Black Market Karma has pulled off. The fact is that Black Market Karma has delivered three powerful pieces of music – the result of having extensive musical freedom and such great musical capacities. Besides touring, they have spent most of the year in the studio, creating these three brother albums, which now represent their musical identity and number among the most outstanding independent productions of the year.

Que una banda lancé tres albums es algo bastante raro en esta época, y es algo poco común para la mayoría de las bandas. Es aun asi mas sorprendente cuando una banda lanza tres albums excelentes en un año, que es sencillamente lo que ha hecho Black Market Karma- resultado de tener una amplia libertad musical y grandes talentos. Ademas de tocar, han pasado gran parte del año en estudio, creando estos tres albums hermanos que ahora representan su identidad musical y se pueden contar entre las producciones independientes mas importantes del año.



Black Market Karma’s music is highly influenced by all periods of psychedelic music, from the Velvet Underground through to Brian Jonestown Massacre, with hints of such well established bands as Spacemen 3 and others like My bloody Valentine or The Beatles. The result is a powerful balance among the noisy and swirling guitars, hypnotic bass lines and omnipresent drums. While they apply the old psychedelic formula, they do it their own unique way, resulting in what is clearly exciting and intoxicating music.

El sonido de Black Market Karma esta altamente influenciado por la psicodelia de todos los tiempos, desde The Velvet Underground a Brian Jonestown Massacre, con toques de bandas tan grandes como Spacemen 3 otras como  My Bloody Valentine o The Beatles  El resultado es un poderoso balance entre noise, torrentes de guitarras, bajo hipnótico y una batería constante y sonante. Usan la vieja formula psicodelica, adaptándola a su propia manera dando como resultado una excelente e intoxicante música.





I have to say that I had my doubts about this third album, but after spending the night with "Easy Listening", there is no doubt that Black Market Karma have done it again. This is a concise album balanced between amazing calculated doses of noise, amazing riff guitars and an easy and calming voice that sends you into hypnotic trance, song after song. It would be difficult to choose just one album from the three Black Market Karma releases, but one this is evident – this new album is another important step in the band’s career

Tengo que decir que tenia mis dudas sobre este tercer album, pero despues de pasar la noche con " Easy Listening" no hay duda que Black Market karma lo ha hecho de nuevo, Este es un trabajo conciso balanceado entre sorprendentes dosis calculadas de noise, riffs de guitarra increibles, y una voz perfecta y calmada que te manda en todo un trance hipnotico, cancion tras cancion. Seria muy dificil elegir un solo album de entre los tres trabajos de esta banda, pero algo esta claro- este nuevo albums es otro paso importante en su carrera


Black Market Karma is part of Flower Power Records, an independent record label that is making its way in the world of music. Along wih label mates Dead Rabbits, they are keeping the England psychedelic tradition alive – both projects are highly recommended. Moreover, they are spreading the power of their music as far and wide as possible, having made their amazing music available to us for free. The only logical and adequate response would be to listen to their music and support them


Black Market Karma es parte de Flower Power Records, un sello independiente que esta abriendose camino en el mundo de la musica. Junto con sus compañeros de sello The Dead Rabbits, mantienen con vida la tradicion psicodelica inglesa- ambos proyectos son altamente recomendables. Ademas, estan llevando el poder de su musica a todos los lugares posibles. No estan dando su gran musica gratuitamente desde la pagina de Flowe Power Records asi que la unica respuesta logica es escucharlos y apoyarlos.






miércoles, 22 de agosto de 2012

Lluvia Morada- Colores EP

Lluvia Morada es un proyecto musical Chileno, que comienza en el 2009 en ese momento Felipe Klaue era parte de un duo junto a Julio Lamilla (ni , faz roido); proyecto en el cual trataban de crear melodias a traves instrumentos creados por ellos mismos filtrados ademas por softwares y pedales. De esta banda van saliendo sonidos mas cercanos al pop que Felipe reserva para inicar Lluvia Morada como proyecto solista.


Lluvia Morada is a musical project from Chile that started in 2009. At that time, Felipe Klaue was creating music as a duo with Julio Lamilla. That band strives to create melodies by remixing what they played with self-made instruments using software and pedals. As a result of this musical experiment, Felipe makes sounds that are reminiscent of or closer to the pop vibe. Thus began Lluvia Morada as a solo project.



Las influencias musicales de Lluvia Morada van de bandas de Dream pop como Cocteau Twins, las guitarras elaboradas que crean ambientes ensoñadores, a actos mas pop como Depeche Mode o Prince o Duran Duran, de esta manera las influencias musicales de  Felipe  van de la musica pop mas elaborada a ambientes mas psicodelicos, algo que se ve directamente reflejado en su sonido.

Lluvia Morada’s musical influences range from dream pop bands like Cocteau Twins, from which it derived the sound of elaborated guitars creating dreamy environments, to pop acts such a Depeche Mode, Prince and even Duran Duran. As it turns out, Felipe is a big fan of well-elaborated pop right through to more psychedelic music and those influences are directly reflected in his sound.


Lluvia Morada -Color Negro ( en vivo atto sesiones) from Vortice Celeste on Vimeo.

El Ep Colores, fue grabado en la habitacion de  Felipe  cada cancion tuvo un lapso de tiempo en la que fue trabajada, para llegar al resultado final, que teniendo altas dosis de lo-fi, noise o drone, es bastante cuidado y elaborado. Los nombres de las canciones que hacen referencia a un color, buscan despertar alguna sensacion al esucha a traves de la palabra, cada una fue surgiendo de lo instantaneo

The EP "Colores" was recorded in Felipe's own home recording space, and each song took a specific amount of time to be created in order to achieve the final result – a mixture between high doses of lo-fi, noise and drone. At the same time, these mélange of sounds is very put together very well and is sure to please listeners. The name of each song makes reference to a different color. The idea of this concept is to awake a certain sensation within the listener in association with such words or I guess you could say “painting” a particular instantaneous feeling about and affinity with the music.
Lluvia Morada- Colores EP

Felipe piensa publicar un discos con 16 temas que se llamará Planetas y manejara un concepto similar a este EP un disco tematico con nombres de planetas inspirados en la ciencia ficcion, este tendrá colaboraciones vocales tanto de gente de Valparaiso ( ciudad en la que reside) como de una amiga de Buenos Aires, de esta manera seguira experimentando en su sonido, algo que tan claramente se nota en el Ep Colores, que a traves de un concepto simple como los colores logra presentar una propuesta bien elaborada y que se debate entre la armonia y el caos.


 He plans to publish a whole album that includes 16 songs, called Planetas – this album will have a somewhat similar concept at the “Colores” EP, but in this case, each song will be a planet instead of a color. The inspiration for this came from various science fiction stories. The album will also involve different vocal collaborations, and will be an extension of the experimentation that was evident in the “Colores” EP, where a simple concept of an elaborated proposal takes form between harmony and chaos.